The fourth dimension of remix of old songs is back again, and every major Bollywood movie has fabricated it a indicate to come up with a revised version of a archetype role vocal. Whether it is Humma Humma in OK Jaanu or the most contempo Hawa Hawa song from the movie Mubarakan, touching the classic party numbers and adding rap to it is bound to exist a cringy experience, specially for those who have loved in the originals. While the idea of the remix has been in the industry for quite some time, the pop civilisation in xc'due south let artists come up upwards with remix versions of the sometime songs, the addition of raps that accept the classic cheesy lines has been degrading the quality of music and songs in Bollywood movies.Also Read - Athiya Shetty Dazzles upward Dussehra Nighttime With Her Sizzling Red Hot Wait, we Wonder if KL Rahul is Watching

Hawa Hawa's revised version was previewed in the trailer as well, and the full version of this song that was released a while ago proved once over again how archetype songs are beingness transformed with the addition of cheap lyrics equally well as the random addition of peppy music and cheesy raps. While the classic Hawa Hawa Aye Hawa, sung by Hassan Jahangir gave u.s. some fresh music with lighthearted lyrics, Arjun Kapoor uses the classic and modifies it to propose to a clearly disinterested Ileana D'Cruz with lyrics like "Boyfriend Bana Le, Kisi aur ko pata le." While this song has already made united states of america regret the making of this movie, the lyrics go on to give way for the mandatory rap that came out of nowhere and murdered the music of the archetype song that was used. Also Read - Rapper Badshah To Team Up With British-Indian Music Producer Rishi Rich

Here is the video of Hawa Hawa vocal from Mubarakan

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While we have now become accepted to the idea of Bollywood men chasing women who show no involvement and luring them into falling in dearest with them, the increased use of beautiful songs as cheesy numbers just for the sake of promotion and publicity has become a trend that has gone out of hand and needs to be stopped. This film is conspicuously not the first to chose an old vocal and brutally smother it to death and even equally nosotros talk over this, we are bound to come across many more songs like this in the future. Still, here is a listing of all the "Bollywood remake" of classic songs that ruined them with rap, just in this year!

1. Humma Humma – Ok Jaanu

Very rarely have we seen the sight of a music director choosing to recreate his old super striking song to give it a mod twist. But music maestro AR Rahman chose to do exactly that for his composition in the 2017 release, OK Jaanu. The talented music manager tried to bring dorsum the craze of Humma Humma and added the same sometime lyrical rap past Badhshah that revolved around the topic that majority of Indian rappers enjoy writing on sex and intimacy. While many may have hoped that AR Rahman'southward magic would salvage the vocal, the Humma Humma vocal was ruined all for a movie which conspicuously did not deserve it.

2. Haseeno Ka Deewana – Kaabil

Kaabil managed to bring back the beautiful composition of Sara Zamana Haseeno Ka Deewana back to life, and the makers made two of import decisions, to add random EDM betwixt the song and of grade add together some rap that teased the woman on whom the item number was picturised. Apart from the music video which was nowhere near the mark, the music and the "remix" that was added made the vocal more torturous than enjoyable. And so sadly Rajesh Roshan and his team were not 'Kaabil' of making a notable remix.

3. Tamma Tamma Over again – Badrinath Ki Dulhaniya

Badrinath Ki Dulhaniya brought back the cute couple of Alia Bhatt and Varun Dhawan and tried to revive the 90'due south with their song Tamma Tamma Again. Even as the queen of dancing, Madhuri Dixit joined their promotional strategy and helped them learn the original steps the makers could not refrain from using unnecessary rap that often becomes a turn off for the rap songs. When compared with the other disasters that are already a part of the listing, Tamma Tamma managed to impress us just a little merely not enough to keep information technology off the list of dreadful decisions made by music directors.

four. Cheez Badi Hai Mast Mast – Motorcar

An Abbas–Mustan movie was released earlier this year and was comparatively unnoticed. But the only aroundthe movie was when they chose the classic Udit Narayan song, Cheez Badi and tried to recreate information technology with boosted lyrics and ruthlessly murdered the beautiful number. Machine movie gave us a cringy music video for the movie. The remix of Cheez Badi was far from mast, and the additional lyrics and robotic noises that were added failed to make a connection, much like the pic.

5. Oh Ho Ho Ho – Hindi Medium

Sukhbir'due south Oh Ho Ho Ho has many names similar Ishq, Tare Gin Gin and others but one emotion and a compelling want to Bhangra on the beats. While the new remixe version of the song continued to accept the energy of the song, many fans were left disappointed with the addition of the 'trendy' rap by Ikka. Tin can Bollywood e'er get over its obsession with rap music on every single movie and every dance number, please?

6. Raabta – Raabta

Seldom is a movie named subsequently a song, but exit it to Bollywood to name a moving-picture show Raabta (a word that became increasingly famous subsequently the vocal from Saif Ali Khan's 2012 release, Agent Vinod). Pritam tried his level best to bring back the obsession with the Raabta song and came upwardly with a toned downwardly slower version of the superhit song for this 2017 release. However, while the original Raabta song managed to leave people yearning for more, the remix tin can put anyone to sleep. The only positive about this new remix of Raabta has to exist Deepika Padukone who looked ravishing in the video, but other than that; we would much prefer going back to the breathtaking original song, thank you very much.

Information technology is important to sympathise that the criticism that all these movies and the 'remix' version of the songs are getting is not apparently hate only frustration with Bollywood's efforts to make rap music popular and a part of every unmarried movie. While nosotros all enjoy a rap song now and then, calculation this genre to every single song and party number non only makes the playlist monotonous but also boring. Moreover, it would exist easier to digest these 'rap songs' if just the lyricist decided to write something refreshing and different from the clichéd topics of girls, drug, cars and parties.